Tommy News

Here are some pics from Tommy's Pacific Legends Golf Tourney over the last weekend.




















































Eric is behind the drums in this one but it's not a very good shot of him.






Look at those crazy pants on the guy at the end on the far right. Tommy's father-in-law is the first guy on the left.

En 1990 Tommy est dans le groupe Harlow ,a découvrir !



Teresa Straley (vocals)
Tommy Thayer (guitars)
Pat Regan (keyboards)
Todd Jensen (bass)
Steven Klong (drums)

01. Chain Reaction
02. Silence
03. Don’t Say We’re Over
04. Empty
05. When You Love Someone
06. Cry Murder
07. No Escape
08. Beyond Control
09. Pictures
10. Edge Of Love

Mega rare clip (have it only in this bad quality) and great Female Fronted AOR / Melodic Rock with a fantastic voice from Teresa Straley !
They made only one album :
HARLOW
Year of Release : 1990
Label : Reprise
Country: USA
Producer : Pat Regan & Teresa Straley

The band:
Teresa Straley - Vocals
Pat Regan - Keyboards
Tommy Thayer - Guitars
Todd Jensen - Bass
Steve Klong - Drums

AOL'S NOISECREEP INTERVIEWS TOMMY THAYER!
October 23, 2012
KISS Guitarist Tommy Thayer on His Unique Career Path, War Hero Father

By Chris Epting
Photo by Chiaki Nozu, Getty Images

KISS recently returned with Monster, their 20th studio album and a rocking return to the thunderous hooks and classic chordal mayhem that makes them, well, KISS. Over their 40-plus year history, the band can boast 28 U.S. gold albums, the most gold records for any American rock band, along with over 100 million albums sold worldwide.

Noisecreep recently had the pleasure of talking with longtime lead guitarist Tommy Thayer about the new album, and his life in the band.

It must feel good to finally have Monster in stores.

We're all super happy and super proud of Monster and we put a lot of time and effort into making it great. We approached it from a very organic and simple place, like a band just starting out. We were just hanging out at each other's houses, we arranged the songs at rehearsal then we'd go in and just knock them out. We didn't even do demos. We didn't have a label involved when we did it so there was no manager or A&R person telling us what to do, it was just the four of us making the calls, so whatever was in our hearts made it onto the record.

How has your role in KISS evolved over the years?

It has evolved a lot. My first dealing with KISS was an opening act on the Asylum tour in 1985 while I was in my band Black 'N Blue. We did about 24-25 shows with KISS and I got to know Paul and Gene and then the relationship with Gene evolved after that. He produced some of our records, and then I worked on some KISS albums after that. Black 'N Blue then ran its course and I was hired to work behind the scenes with KISS, managing different sorts of things. Then ten years ago things evolved again and I came on board as lead guitarist.

It's a unique path you took.

Certainly is. I did a lot of video and photo work back then and really got up to speed on the band, archiving stuff, editing producing and directing videos, pay per views; more stuff than I ever imagined. It was never my aspiration to be in KISS. I was interested in them, but never aspired directly to be what I am today. Very ironic how it worked out. Since I've been in the band my role has evolved more – my playing, my approach in the studio – I'm more confident today than I've ever been. But today the feedback from KISS fans has been phenomenal, just so positive, which means a lot to me. This is a band built for the fans. I also love how much they seem to like Monster.

Were you a big KISS fan as a kid?

Huge. I was a KISS fan when the first record came out – my KISS roots go back to the beginning. The first three records I was a huge fan of in junior high school - so everything has come full circle in my life. I saw them play twice in Portland, Ore. during that time growing up and it was phenomenal. Those shows made a big impact on me –– the attitude, the presentation and most of all, the music.

This band has grown into something of an American and patriotic phenomenon with all the support of the troops you guys provide.

No doubt. KISS started out as a mere rock and roll band and the phenomenon has evolved into something quite extraordinary. This band touches so many people in so many generations in so many ways – it's truly incredible. And to your point, the troops mean the world to us. We will always stand by them.

You dad himself is a true American hero.

Thank you. He's a hero to me as a dad and also as a soldier in the military He just turned 90. In Europe in 1945, as a member of the U.S. Army in World War II he was in head to head combat with SS troops and he earned both the Bronze and Silver Star. His platoon helped liberate one of the Nazi concentration camps in Austria – he was one of the first guys in there and he helped save a lot of people's lives. He's done so many amazing things that the new Oregon Military Museum up in Portland is going to be named in my dad's honor: The Brigadier General James B. Thayer Oregon Military Museum. I'm helping to raise the money for it now.

How can people learn more about it and even contribute?

Thank you. The website is www.allstarsalute.com.

Does he like KISS?

Loves KISS. He came to the recent KISS show in Portland. My parents have always been great supporters of everything I've done. Very encouraging and wonderful.

It still blows us away that KISS does their own makeup every night.

KISS is the hardest working band in show business – it may sound like a cliché but it's true. We get to the gig hours before, do an acoustic set, a meet and greet, soundcheck, eat dinner – then 2-3 hours before the show we do our the make up - and we have all done our own make up since day one. It's a personal transition every night and a great part of the ritual. Then we do photos, press, then we perform, which of course is the most important part of it all. Then after the show is over, we get out of the makeup and transition back to normal life. It's a long day but we are very dedicated – we don't just show up before the gig, tune up and get onstage. There is a huge level of dedication that goes into it KISS every single day and every single show.


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TOMMY THAYER'S SIGNATURE GUITAR IS HERE!

IT'S ARRIVED! The Tommy Thayer signature Spaceman Les Paul by Epiphone is finally here.

I'm psyched to be playing my new guitar onstage as we embark on the 2012 KISS Kruise and South American stadium tour in the weeks ahead. My signature axe will soon be available in guitar shops everywhere.

In the meantime, the first guitars off the line are ready for you through some very special offers on my new site: www.tommythayerguitar.com.

Keep it rockin' & remember to turn it up loud!

Tracklist:

1. Anti-Heroes
2. Suffocated
3. So What
4. The Pope's On Dope
5. Crazy Jane
6. My Twisted View (MTV)
7. Dysfunctional
8. Destroyer
9. Public Trust
10. Weight Of The World
11. Medicine Man



Band:

Dave Aragon — Vocals
Brian Jennings - Guitars
Tommy Thayer - Guitars
Kenny Kweens - Bass
Danny Parker - Drums

SHAKE THE FAITH
America The Violent

Released : 1994
Produced by : Cal Curtis
Time : 44:09

(ALCB-3012) released 1994 by Alfa-Brunette (Japan)

LABELS :
Japan : Alfa-Brunette - compact disc - ALCB-3012


Shake The Faith is :
Dave Aragon (lead vocals)
Tommy Thayer (guitars)
Brian Jennings (guitars)
Kenny Kweens (bass)
Danny Parker (drums)


NOTES :
Produced by Cal Curtis.
Recorded by Pat Regan at Fortress Recorders, Hollywood, CA.
Additional recording at Farren Curtis Studios.
Mixed by Paul Lani at Track Record, North Hollywood, CA.

http://www.kiss-related-recordings.nl/tommy_thayer.html

Kiss’ Tommy Thayer Says He Was Ace Frehley’s ‘Heir Apparent’







http://ultimateclassicrock.com/kiss-tommy-thayer-says-he-was-ace-frehleys-heir-apparent/



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GUITAR WORLD INTERVIEW WITH TOMMY THAYER





Interview: Kiss Guitarist Tommy Thayer Discusses His Signature Epiphone "Spaceman" Les Paul

by John Katic

It's hard to imagine that 10 years have gone by since Tommy Thayer officially took over as the “Spaceman” in Kiss.

It seemed only fitting that the Spaceman should don the Les Paul. However, as fate would have it, Thayer has been a longtime Les Paul player, even back in his days in Black and Blue.

Thayer's 10th year in Kiss — and the band's 40th year in business — is commemorated by Epiphone's release of its Tommy Thayer Signature Edition "Spaceman" Les Paul. Featuring an eye-catching silver-sparkle top and top-of-the-line components, and made as a limited edition of 1,000 guitars, this model is sure to become a must-have for Kiss fans around the globe.

We recently caught up with Thayer to discuss the new model in detail.

GUITAR WORLD: You've announced there will be a limited-edition Tommy Thayer “Spaceman” Les Paul from Epiphone. Will it be present at the 2013 Winter NAMM Show in Anaheim, California, later this month?

Yes, it'll be at the NAMM Show. And I believe it's already available through American Music Supply.

Can you talk about exactly what you did with the guitar and what makes it “Tommy Thayer” specific?

It's essentially an exact version of one of the Gibson Custom Shop Standards I've played on stage for several years. It is a silver-sparkle top, and the sides, back and neck are black. It has a cream binding. For an affordable guitar, it is a nice package. It’s using really good parts. We are using Gibson 498 pickups, which are the ones I use. The tuners are Grover Deluxe tuners. It's really well put together with good components and parts.

I've actually taken to playing the guitar on stage for the last bit of the South American tour for six or eight shows. I played it every night for part of the set. The guitar was great. I have one that I’m playing on stage, and you really can’t notice the difference between the Gibson and the Epiphone. The sound, the playability and the feel really pleased me. Comparing it to my Gibson Custom Shop guitar, it's right there. That made me really happy. The techs were saying they couldn’t tell the difference between the guitars. It's surprising in a good way.

The reason I decided to do the guitar this way was that the silver-sparkle top gave it a bit of a “Kiss” feel. But I didn’t want to introduce a guitar that was too stylized. I wanted a guitar that had some flash to it, but at the same time I wanted to offer a guitar that any pro musicians or guitar player that walks into the guitar shop will think looks cool. It’s not something that is so stylized that it will scare people away. I didn’t want it to have too much of a Kiss look to it.

Some guitarists’ signature-edition guitars are so specifically tailored that, as a consumer, you might hesitate. You might get up on stage and have to worry that people think you're a clone of someone. That has to be a double-edged sword with Kiss fans because some fans might want to get the guitar just because of Kiss.

That's true too, and that's why on the back of the headstock there is the Tommy Thayer Spaceman logo. But it's discreet; it isn’t too over the top. It has a look that doesn’t automatically make it look like Tommy Thayer or Kiss. Then again, for collectors, it's great because it's the guitar I play, and people can take pride in that.

As far as the paint, is it fairly similar to the Gibson Explorer you've played for years now?

I have a couple of Explorers that have the silver sparkle on them as well. We decided, though, that the flake of the sparkle would be less than the flake on my Gibsons. I didn’t want to make the size of the flake too pronounced. I worked a lot with Jim Rosenberg (president of Epiphone) and we went back and forth to find that perfect medium-sized flake. I didn’t want it to be too heavy. That could be the difference between someone loving or hating it.

That’s mahogany underneath?

Yes, that's mahogany and a rosewood fretboard like a standard Les Paul. It has trapezoid inlays. We have a nice package that it comes with too. We have an all silver hard-shell case. You don’t’ see that too often. That’s very Kiss! It comes with a studded guitar strap that is exactly like what I use on stage. It is a cool little memento. It also comes with a certificate-of-authenticity booklet with a signature and all that good stuff. It is a great value at the prize point.

Actually, I didn’t even talk to Gibson about doing a guitar and called Epiphone because I felt that doing a guitar like this that is high quality but still affordable was more appealing to me. Especially for people who don’t have $5,000 or $6,000 to buy a guitar. You get this great package, and it is really affordable and that was an important thing to me.

I think every guitar player remembers back to when they were young selling newspapers or whatever it was to get their first guitar.

My very first electric was a Fender Mustang and it was $135. My mom helped me buy it. This was back when I lived in Portland. We went across the river to Vancouver Music. For some reason, they had a great selection of guitars over there. This was back in 1973 or 1974. I was so overwhelmed. I couldn’t believe I actually had a professional guitar. Back in those days, it was either a Gibson or a Fender. I hadn’t established yet that I was more of Gibson player.

I think everyone remembers looking down at that headstock and seeing the brand of one of their guitar heroes.

Yeah, it was like a dream. It was a great blue Fender Mustang with the light blue racing stripes.

Epiphone's Limited Edition Tommy Thayer “Spaceman” Les Paul Standard Outfit is available for order now at tommythayerguitar.com with several autographed and stage-used options. The guitar also is available at American Music Supply for the $699 street price. The guitar includes the case, custom strap and certificate of authenticity.

For more about the guitar, head to epiphone.com.



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